Exhibitions

2025

• 100% L’EXPO, la Villette, Paris
  

2024
 

• Téléphone, nouvelle intimité, IMMIX Galerie, Paris
  
• Public, Shapes and Things, online
  

2023 

• Ce qui nous oblige, centre d’art de la Villa Arson, Nice
  
• selected for AMMA Sorbonne prize for contemporary art, Bastille Design Center, Paris
  
• Disparitions galerie de l’Openbach, Paris
  

2022 

• Fait Maison ... , l’Entrepot, Monaco
  

Interventions

2024 

• ha-fu:vivências e poéticas mestiças, FAAP residency, Sao Paulo
  

2023 

• LYL radio,  CTRL+X , by Vina Konda

Residency

2024 

• Rouvrir le monde, Cagnes sur Mer
  

Studies

2022
 

• Diplôme national supérieur d’expression plastique (DNSEP), Villa Arson, Nice

2020

• Hochschule für Grafik und Buchkunst, Leipzig (Photographie dans le champ de l’art contemporain dirigé par Özlem Altin)
• Diplôme national d’art (DNA), Villa Arson, Nice
  

    
    The links between memory and recording are the common thread running through a body of research in which the image, in its many forms, becomes both a trace and a question. In an age of digital reminiscence, this exploration questions the way in which images, objects and stories shape our perception of the past, nourish nostalgia and influence the construction of personal and collective memories. By experimenting with different media, each project invites us to probe the fragility of these traces, oscillating between document and fiction, the intimate and the universal.

    Emika Lannelongue, currently based in Paris, graduated with honors from the École nationale supérieure d'art de la Villa Arson in 2022. During her training, she also benefited from an exchange at the Hochschule für Grafik und Buchkunst, Leipzig, where she integrated the workshop on photography in the field of contemporary art.